“What a beautiful book of songs, pacts, spells, love poems, chants, pledges, odes! Such lyric abandon here, and also such deep lyric knowlede. Knowlede of what? you might ask. Of how bodies can ‘lenghten in rain’ and how an hour might become ‘a moth-eaten stain.’ ‘I keep my binoculars focused on / the past field,’ this poet says, ‘something might arrive / to coax the present field from its ghost.’ This kind of coaxing is most welcome. It isn’t the knowledge of past or foreknowledge. No. It is the lyric knowledge. To achieve it, one must go sideways, speak in tongues. ‘I promise you fraud,’ Militello tell us in one of her love poems. But then, if a reader is lucky enough to find a poet as talented as Jennifer Militello, one might as well use her own words, and, opening the book, say: ‘I promise to let you / brainwash me.’ Why? Because this is, indeed, a beautiful book.”
—Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa
